To listen to the second part of the show with the Bill Andriette interview, click on: . NEW 6/23/11: Transcript of that interview here: Transcript.
The issue of sex with altar boy (and girls) by Catholic priests has saturated the media, but what does the research tell us? On the next edition of KUCI's Subversity program, airing this evening at 5 p.m., we talk with UCI alumna and criminologist Karen Terry about the 143-page report that her research team at John Jay College just submitted to the U.S. Conference of Catholic Bishops. Her key finding in The Causes and Context of Sexual Abuse of Minors
by Catholic Priests in the United States, 1950-2010: Only 5% of the priests were "pedophiles" (sex with pre-pubescents), with the majority of the cases relating to sex with pubescent or adolescent boys.
We also discuss the report with former Guide features editor Bill Andriette, who has written on sex panics. [ADDED: He critiques the report for its ignoring research on youths who did not regard sexual relationships with priests as "abuse."]
Andriette has been a frequent guest on Subversity.
The show airs today 23 May 2011 from 5-6 p.m. on KUCI, 88.9 FM in Orange County California, and is simulcast via kuci.org. A podcast will be posted later here.
Monday, May 23, 2011
Catholic Priests and Sex: The Research
To listen to the first part of the show with the Karen Terry interview as recorded, click on:
.
Labels:
Bill Andriette,
Catholic priests,
Karen Terry,
sex
Monday, May 9, 2011
Larry Agran on Irvine: Town and Gown
To listen to the second part of the show with the Agran interview, click on:
.

The UC Irvine Libraries celebrate the history of Irvine, California with an exhibit, Irvine: the Vision, the Plan, the Promise, curated by UCI librarian Yvonne Wilson, opening later this week (Wednesday May 11) at Langson Library on the UCI campus.
On the next edition of KUCI's Subversity, we talk with a speaker slated for the exhibit opening, Irvine council member and long-time politician Larry Agran (pictured), about the City of Irvine and his perspective on issues of "town and gown" over the years. Agran also made an unsuccessful bid to run for President in 1992.
According to his published profile, Larry Agran graduated Phi Beta Kappa from the University of California at Berkeley in 1966, majoring in both History and Economics. In 1969, he graduated with honors from Harvard Law School, where he specialized in public interest law.
Agran has served as Legal Counsel to California State Senate Committee on Health and Welfare. He has taught legislation and public policy at the UCLA School of Law and at the Paul Merage School of Business at UC Irvine.
He first served on the Irvine City Council from 1978 to 1990, including six years as Mayor. Under his leadership, Irvine received national recognition for its pioneering programs in child care, affordable housing, recycling and open space preservation.
As a "highly respected public interest attorney and public policy expert", Agran founded and, in the 1990s, led a number of non-profit organizations: the Local Elected Officials Project; the Center for Innovative Diplomacy; and CityVote. As the founder and volunteer chair of Project ’99, from 1994 to 1999, Agran was especially active in working to promote creation of the Orange County Great Park at the former Marine Corps Base at El Toro.
Agran returned to service on the Irvine City Council when he was elected to the Council on November 3, 1998. On November 7, 2000 he was elected Mayor of Irvine, and on November 5, 2002 he was re-elected Mayor. After completing two consecutive terms as Mayor, Agran was elected to a four-year term as an Irvine City Councilmember on November 2, 2004, and was re-elected on November 4, 2008. He was re-elected to a four-year term in November 2010.
Councilmember Agran served for six years as the Chair of the nine-member Board of Directors of the Orange County Great Park Corporation. The Great Park Corporation is the entity designated by the Irvine City Council to help bring about the design, construction and operation of the Great Park, America’s first great metropolitan park of the 21st century.
For today's special, expanded edition of Subversity, which will run from 4-6 p.m. on KUCI, 88.9 FM in Orange County, we focus on the 2011 fund drive. Please help support this free speech station! Call 949 824 5824 begin_of_the_skype_highlighting 949 824 5824 end_of_the_skype_highlighting to pledge your support! Our interview with Agran airs from 5:05 p.m. The program is simulcast via kuci.org. A podcast of the interview will be posted here later.

The UC Irvine Libraries celebrate the history of Irvine, California with an exhibit, Irvine: the Vision, the Plan, the Promise, curated by UCI librarian Yvonne Wilson, opening later this week (Wednesday May 11) at Langson Library on the UCI campus.
On the next edition of KUCI's Subversity, we talk with a speaker slated for the exhibit opening, Irvine council member and long-time politician Larry Agran (pictured), about the City of Irvine and his perspective on issues of "town and gown" over the years. Agran also made an unsuccessful bid to run for President in 1992.
According to his published profile, Larry Agran graduated Phi Beta Kappa from the University of California at Berkeley in 1966, majoring in both History and Economics. In 1969, he graduated with honors from Harvard Law School, where he specialized in public interest law.
Agran has served as Legal Counsel to California State Senate Committee on Health and Welfare. He has taught legislation and public policy at the UCLA School of Law and at the Paul Merage School of Business at UC Irvine.
He first served on the Irvine City Council from 1978 to 1990, including six years as Mayor. Under his leadership, Irvine received national recognition for its pioneering programs in child care, affordable housing, recycling and open space preservation.
As a "highly respected public interest attorney and public policy expert", Agran founded and, in the 1990s, led a number of non-profit organizations: the Local Elected Officials Project; the Center for Innovative Diplomacy; and CityVote. As the founder and volunteer chair of Project ’99, from 1994 to 1999, Agran was especially active in working to promote creation of the Orange County Great Park at the former Marine Corps Base at El Toro.
Agran returned to service on the Irvine City Council when he was elected to the Council on November 3, 1998. On November 7, 2000 he was elected Mayor of Irvine, and on November 5, 2002 he was re-elected Mayor. After completing two consecutive terms as Mayor, Agran was elected to a four-year term as an Irvine City Councilmember on November 2, 2004, and was re-elected on November 4, 2008. He was re-elected to a four-year term in November 2010.
Councilmember Agran served for six years as the Chair of the nine-member Board of Directors of the Orange County Great Park Corporation. The Great Park Corporation is the entity designated by the Irvine City Council to help bring about the design, construction and operation of the Great Park, America’s first great metropolitan park of the 21st century.
For today's special, expanded edition of Subversity, which will run from 4-6 p.m. on KUCI, 88.9 FM in Orange County, we focus on the 2011 fund drive. Please help support this free speech station! Call 949 824 5824 begin_of_the_skype_highlighting 949 824 5824 end_of_the_skype_highlighting to pledge your support! Our interview with Agran airs from 5:05 p.m. The program is simulcast via kuci.org. A podcast of the interview will be posted here later.
Labels:
exhibits,
interviews,
Irvine,
KUCI,
Larry Agran,
Subversity Show,
UCI Libraries
Friday, May 6, 2011
Los Angeles Asian Pacific Film Festival Award Winners Announced

Shooting scene from Bang Bang
First-time Director Byron Q has won the Best First Feature award for Bang Bang among the other juried awards announced by the Los Angeles Asian Pacific Film Festival. Byron Q was interviewed last Monday on KUCI's Subversity program.
Another Subversity guest, Mun Chee Yong (interviewed recently for an online edition of Subversity) directed another film, Where the Road Meets the Sun, which won two festival awards: Special Jury Award for Narrative: Best Ensemble Acting by actors Eric Mabius, Fernando Noriega, Will Yun Lee and Luke Brandon Field. The film also garnered for cinematographer Gavin Wills the Special Jury Award for Narrative: Outstanding Cinematography.

Actor Will Yun Lee as Takashi in Where the Road Meets the Sun.
COMPLETE LIST OF WINNERS:
2011 LOS ANGELES ASIAN PACIFIC FILM FESTIVAL AWARD WINNERS
Documentary Feature:
Grand Jury Award, Documentary
THE HOUSE OF SUH
Directed by IRIS K. SHIM and Produced by GERRY KIM
Special Jury Award, Documentary: Outstanding Director
IRIS K. SHIM
THE HOUSE OF SUH
Special Jury Award, Documentary: Outstanding Cinematography
JASON WOODFORD
ONE BIG HAPA FAMILY
Special Jury Award, Documentary: Outstanding Editing
JEFF CHIBA STEARNS
ONE BIG HAPA FAMILY
Special Jury Prize for Human Rights
FINDING FACE
Directed by Skye Fitzgerald and Patti Duncan
Narrative Feature:
Grand Jury Award, Narrative Feature
LIVING IN SEDUCED CIRCUMSTANCES
Directed by Ian Gamazon and Produced by Quynn Ton
Special Jury Award, Narrative: Outstanding Director
IAN GAMAZON
LIVING IN SEDUCED CIRCUMSTANCES
Special Jury Award, Narrative: Outstanding Screenplay
STEPHANE GAUGER
SAIGON ELECTRIC
Special Jury Award, Narrative: Outstanding Cinematography
GAVIN KELLY
WHERE THE ROAD MEETS THE SUN
Special Jury Award, Narrative: Best Ensemble Acting
ERIC MABIUS, FERNANDO NORIEGA, WILL YUN LEE and LUKE BRANDON FIELD
WHERE THE ROAD MEETS THE SUN
Special Jury Award, Narrative: Best First Feature
BANG BANG
Directed by BYRON Q
Special Jury Award – Breakout Performance for New Actor
RYAN GREENE
ONE KINE DAY – Directed by Chuck Mitsui
Short Film:
Festival Golden Reel Award
TEAMWORK
Directed by HONG SEO YUN
Linda Mabalot New Directors/New Visions Award
FIRECRACKER
Directed by SOHAM MEHTA
AUDIENCE AWARDS:
NARRATIVE FILM
RAKENROL
Directed by QUARK HENARES
DOCUMENTARY FILM
AMONG B-BOYS
Directed by Christopher Woon
Thursday, May 5, 2011
KUCI's Subversity Fights Subpoena [A Look Back]
KUCI's Subversity show host Daniel C. Tsang back in the early years of the show which started in 1993.
This essay was first published in 1995 and is reprinted here during our 2011 KUCI Fund Drive. To support the station, click on: Fund Drive
Irvine -- Freedom of the press often appears to be just a slogan, but this year, working at KUCI made me appreciate its importance. As host and reporter for Subversity, the weekly public affairs interview program that tries to uncover what the mainstream media will not cover, I recently was covering a couple of trials largely ignored by the rest of the media.
The first trial involved a civil lawsuit brought by Loc Minh Truong, a Vietnamese immigrant, now in his late 50's, who had been bashed almost to death because the assailants thought he was gay. One of those sued, a teenager who had been an Explorer Scout at the time of the incident, was represented in court by an attorney who saw me interviewing the victim, Truong, during a break in proceedings. The next day, this attorney approached me and shoved a piece of paper into my hands. I thought it was a press release. Instead, it was a subpoena to appear in court and produce "any notes, writings, photographs produced or made by" me regarding the case.
Now, I had been covering this case -- for various alternative media such as AsianWeek, RicePaper, and Frontiers -- ever since the beating several years before, and had accumulated quite a lot of material. I'd even written an opinion piece on the beating for the Los Angeles Times. I knew there was no way I would voluntarily turn over my reporter's files. In court papers the judge had previously approved, permitting me to record the proceedings, I was listed as a KUCI reporter. I next spent a frantic day searching for legal help. The seriousness of the endeavor is reflected in a Chinese-language news account of my dilemma in the Chinese Daily News, which proclaimed that I had risked a "jail term."
Jail was, in fact, a distinct, if remote possibility, if the judge found me in contempt of court for refusing to turn over my files. I later discovered that I was in good company. In fact, the Reporters Committee for Freedom of the Press regularly reports on hundreds of subpoenaes served on reporters and media outlets every year, most ending up being quashed or withdrawn. I also contacted Terry Francke, executive director of the California First Amendment Coalition, based in Sacramento, who along with other civil liberties attorneys, including from the ACLU, offered invaluable, free advice. At the station, KUCI managers, especially John Lewis, offered important moral support.
In this instance, the subpoena was withdrawn, after my volunteer attorney, Marc Alexander, normally a highly placed corporate lawyer, but with civil liberties leanings and a heart of gold, took up my case gratis, and faxed opposing counsel a request that they withdraw the subpoena.
Marc's legal expertise was put to work over an entire weekend, resulting in a well-argued brief exploring the legal rights reporters have under the state Constitution and Evidence Code, which I wished he had the opportunity to submit. Because the subpoena was withdrawn, the issue became moot. Nonetheless, Marc's crash legal research uncovered that for many years, there has been a "shield law" protecting reporters' files of unpublished work from forced disclosure here in California.
According to my counsel, "Mr. Tsang has a trial to cover. The subpena is blatantly oppressive and harassing. If a news reporter such as Mr. Tsang had to testify about information that he gathered as a reporter, disclose sources, and produce his notes, his sources would rapidly dry up, and his outstanding reputation as a reporter would take a severe beating." No kidding; he actually wrote that, on legal paper no less.
I also prepared a declaration "in support of motion to quash subpena duces tecum," in which I outlined my press credentials. Attached as exhibit 1 was a photocopy of my KUCI press badge. Another exhibit was my 1993 L.A. Times opinion essay, "Laguna Beach Beating Opens Closed Asian Door." Also I attached a copy of the court form, "Re quest to Conduct Film and Electronic Coverage," signed by the judge with her notation: "No flash; No noisy auto wind; No photographs or videos of jurors." This form is standard for all reporters seeking electronic coverage.
The next court date, Marc showed up in court to represent me, telling the judge that I was protected by the state shield law. Judge Nancy Wieben Stock ruled I could continue to cover the case and tape the proceedings.
But the story did not end there. A few days later, Jeffrey P. Koller, the attorney who had subpoenaed me, even though the summons had been withdrawn, himself ended up on the witness stand, questioned by a colleague, and was asked what he had observed in the hallway that fateful day when I had interviewed Truong. Koller testified that he heard me ask for his address, and saw Truong write something in my address book. On the stand earlier, Truong had stated he couldn't remember where he lived. As Koller testified, he told jurors that I was the individual right then pointing a camera at him.
Who knows what effect Koller's testimony had on the jury, who in the end awarded Truong over $1 million in damages, but a lot less than he had sought.
As if this was not enough to stress out any reporter, after I went back to the Orange County Courthouse to cover another story, that of UCI student Dan Hoang, charged with attempted murder with gang enhancement in the Alton Square, Irvine, shootings last year, the prosecutor, Robin Park, tried to get the judge to throw me out of the courtroom, questioning my press credentials on a day I wasn't there. Park knew I was also an activist with AWARE, the Alliance Working for Asian Rights and Empowerment, from my involvement in an earlier case, that of Tu Anh Tran, a college student shot in the back but ironically charged with murder, whom I had also interviewed for Subversity both while he was in OC Jail and after his release. To his credit, Judge Daniel J. Didier told Park that to be fair to me, they should discuss the matter when I was there.
The next day I showed up in court late, proceedings having already started. One of the shooting victims was on the stand testifying. As I walked in with my tripod in hand the marshall made a motion with his arms that I could not take any pictures or make any recordings. Judge Didier then asked the witness to leave the stand, and cleared the jury from the courtroom.
The judge then held an impromptu hearing on whether or not I was allowed to continue to cover the hearing as a reporter. After I explained what KUCI was and why I was recording the proceedings, and the prosecutor claimed that the victims were worried about their safety, the judge asked me if I would be content with merely audiotaping the proceedings, although I could continue to photograph the courtroom in the absence of jury and witnesses. I readily agreed. And thus remained the only reporter to cover the case of this UCI student that the prosecutor compared with "Al Capone" and used the model minority myth (she referred to the many Asians who graduate each year with honors from UCI) to stereotype the defendant, who unfortunately was convicted and faces a minimal fifteen-year prison term.
The mainstream media only covered Truong's civil case sporadically, and Hoang's trial not at all. Through Subversity, KUCI was the only media outlet to broadcast testimony from Truong's civil trial (including a convicted gaybasher's chilling testimony as to what happened) and to report on Hoang's case, including a broadcast jailhouse interview with Hoang, and a later show with his brothers as guests). Incarceration of Asians is almost totally ignored by other media. I hope you will continue to support KUCI's public affairs programs and especially tune in and call in to Subversity, now on a new day and at a new time, Tuesdays from 5-6 p.m. Join us to celebrate freedom of the press; KUCI needs your support to continue to bring you news and reporting that subverts the Orange Curtain. -- Daniel C. Tsang
Bibliography:
Alexander, Marc, "Memorandum of Points and Authorities in Suppoort of Motion
to Quash," March 7, 1995, unpublished legal brief (not submitted).
Chou, Jerome, "Radio Activism," A. Magazine, April/May 1995, pp. 32-34, 82.
Flash: The Membership Bulletin of the California First Amendment Coalition.
926 J Street, Suite 1406, Sacramento, CA 95814. (916) 447-2322
E-mail: coalition@aol.com. Welcomes individuals or media outlets as
members.
Gao, Man, "Court Subpoenas Asian Reporter: Judge Protects Reporter's Rights,"
Sing Tao Daily, March 8, 1995, p. 24. [In Chinese.]
[Hsiao, Esther], "Successfully Utilizing Calif. State Journalists' Protection
Law, Tsang Chun Tuen Avoids Jail Term Disaster," Chinese Daily News,
March 7, 1995, p.B3. [In Chinese.]
Hoffstadt, Kelly, "KUCI Reporter Fights Subpoena for Notes on Gay-bashing
Case," New University, March 13, 1995, p.4.
Lycan, Gary, "Airchecks," Orange County Register, March 26, 1995, p.Show 34.
Tsang, Daniel C., "Asian American Gangbanger Stereotype Sentences UCI Student
to 15 Years in Prison," New University, April 17, 1995, pp. 16-17.
Tsang, Daniel C., "Laguna Beach Beating Opens Closed Asian Door," Los Angeles
Times, January 18, 1993, B5 (home edition); B9 (Orange County edition).
Tsang, Daniel C., "UCI Student Convicted of Attempted Murder, Faces Long Prison
Term," AsianWeek, April 21, 1995, pp. 1, 4-5.
Copyright © 1995, All Rights Reserved. Originally published in 1995.
Labels:
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Free Speech,
fund drives,
journalists,
KUCI,
Marc Alexander,
shield laws,
Subversity,
trials
Monday, May 2, 2011
Byron Q's Bang Bang; Billie Rain's Heart Breaks Open
To listen to the show, click on:
.
UPDATE 6 May 2011: Bang Bang has won the Los Angeles Asian Pacific Festival's Special Jury Award for Narrative: Best First Feature!
Visual Communications' Los Angeles Asian Pacific Film Festival continues this week with a path-breaking lineup of independent films. On KUCI's Subversity program, we talk with two indie directors.
First we talk with Byron Q, the director of Bang Bang, a film about gang life. Bryon Q studied under renowned French New Wave director Jean-Pierre Gorin at UCSD and this is his debut film. It features Justin (Thai Ngo), trapped in the gang lifestyle, and his rich Taiwanese best friend Charlie (David Huynh), in the film's strongest role. The multi-ethnic cast brings additional realism to the film. The ever youthful looking Huynh (actually a Vietnamese from Canada) was the focus of a Subversity interview back in 2007.
Bang Bang screens tomorrow at 9 p.m. at CGV Cinemas 3 in Koreatown, Los Angeles. Ticket information
We also talk with Act Up and Riot Grrl activist turned director Billie Rain about his new film, Heart Breaks Open, featuring queer activist and poet Jesus (Maximillan Davis) whose life implodes when he finds out he is HIV-positive. Set in Seattle, the film shows how Jesus comes to rely on his friends as he struggles to make sense of his predicament.
Hear Breaks Open screens tonight at 9:15 p.m. in CGV Cinemas 3 in Koreatown, Los Angeles. Ticket information.
Subversity airs this evening from 5-6 p.m. on KUCI, 88.9 FM in Orange County, California, and is simulcast via kuci.org. A podcast will be posted later.
UPDATE 6 May 2011: Bang Bang has won the Los Angeles Asian Pacific Festival's Special Jury Award for Narrative: Best First Feature!
Visual Communications' Los Angeles Asian Pacific Film Festival continues this week with a path-breaking lineup of independent films. On KUCI's Subversity program, we talk with two indie directors.
First we talk with Byron Q, the director of Bang Bang, a film about gang life. Bryon Q studied under renowned French New Wave director Jean-Pierre Gorin at UCSD and this is his debut film. It features Justin (Thai Ngo), trapped in the gang lifestyle, and his rich Taiwanese best friend Charlie (David Huynh), in the film's strongest role. The multi-ethnic cast brings additional realism to the film. The ever youthful looking Huynh (actually a Vietnamese from Canada) was the focus of a Subversity interview back in 2007.
Bang Bang screens tomorrow at 9 p.m. at CGV Cinemas 3 in Koreatown, Los Angeles. Ticket information
We also talk with Act Up and Riot Grrl activist turned director Billie Rain about his new film, Heart Breaks Open, featuring queer activist and poet Jesus (Maximillan Davis) whose life implodes when he finds out he is HIV-positive. Set in Seattle, the film shows how Jesus comes to rely on his friends as he struggles to make sense of his predicament.
Hear Breaks Open screens tonight at 9:15 p.m. in CGV Cinemas 3 in Koreatown, Los Angeles. Ticket information.
Subversity airs this evening from 5-6 p.m. on KUCI, 88.9 FM in Orange County, California, and is simulcast via kuci.org. A podcast will be posted later.
Monday, April 25, 2011
Tony Nguyen's Enforcing the Silence Dares to Address Anti-Communist Violence in the Vietnamese Diaspora in San Francisco Bay Area
To listen to the podcast of this program, which is an Internet-only edition for the second part of the April 25, 2011 show because of a jazz program pre-empting the live show -- click
on:
. The audio leads off with Tony Nguyen giving the background leading up to his making this film. Updated blog entry follows:

A bold new documentary dares to address something only whispered about in the Vietnamese diasporic communities in North America -- the existence, especially in the 1980s, of a violent group of thugs -- masquerading as "freedom fighters".
Enforcing the Silence director Tony Nguyen, himself having been a youth advocate in Washington D.C. and San Francisco, in resurrecting the shortened life of Vietnamese immigrant activist and journalist/editor Lam Trong Duong [in Vietnamese: Dương Trọng Lâm], pays tribute to those in the Vietnamese diasporic communities that were anti-war and progressive. Lam Doung founded the first Vietnamese youth center in America (Vietnamese Youth Development Center), and published a progressive Vietnamese-language newspaper, Cai Dinh Lang, that reprinted stories from Hanoi. That he supported Ho Chi Minh -- he was an early immigrant in 1971, prior to the fall of Saigon, and he attended Oberlin High on an American Field Service exchange and later stayed to attend Oberlin College -- may have led to his murder in 1981 at the young age of 27.

I say "may" because that's what the director says, given that the murder case remains unsolved, much like the half-dozen or so other cases of Vietnamese journalists and activists who were murdered. (The director does mention the 1987 Orange County case of Garden Grove-based Vietnamese magazine publisher Tap Van Pham, but leaves out another OC murder, in 1984, of CSUF Physics Prof. Edward L. Cooperman, whose activism in scientific exchange with post-war Vietnam is believed to have caused his murder by a Vietnamese student he mentored). Two locals are interviewed: Former OC Register Little Saigon reporter Jeff Brody (he's now teaching journalism at CSUF) and OC Weekly investigative reporter Nick Schou.
The film focuses on interviews with activists (including Lam Duong's colleagues at the youth center), and law enforcement (SFPD and FBI), and raises the possibility that a key Reagan and later Bush administration figure may have been the link with National United Front for the Liberation of Vietnam founder Hoang Hoang Co Minh, now deceased.
This powerful hour-long film is testimony to the best in documentary work, uncovering a hidden subject. That it did not get a screening at the just-concluded VIFF (Vietnamese International Film Festival) is a sad commentary on the fear that still pervades the Vietnamese diasporic communities. It is a fear that continues to intimidate some artists and film folks as well as some in the community at large. In rejecting the film, VIFF missed an opportunity to take a stand in support of artistic freedom while simultaneously continuing to enforce the very silence Tony Nguyen's film addresses.
In feedback on the Diacritics site after USC Prof. Viet Thanh Nguyen suggested interviews with anti-communist leaders might have "humanized" them, the director Tony Nguyen says he was not able to contact any Front officials. (Although the director passed through Southern California in making the film, he didn't manage to interview then-Front spokesman Do Diem, who once incidentally even sat on the advisory board of the Southeast Asian Archive at UC Irvine. -- See my piece in the OC Weekly on a Front spinoff. ADDED: See also my profile in OC Weekly of Do Diem: Guerrilla in the Midst)
Director Tony Nguyen has an appeal online to raise funds for distributing the film.
I talk with director Tony Nguyen about his courageous new documentary and how he will distribute it. UNFORTUNATELY THE SUBVERSITY SHOW TODAY IS PRE-EMPTED BY JAZZ so I'll post the interview online asap.
The film screens Saturday 30 April 2011 (5 p.m.) at the Los Angeles Asian Pacific Film Festival at Laemmle's Sunset 5, 8000 Sunset Blvd (at Crescent Heights) West Hollywood, CA 90046. PARKING: Free for 3 hours with validation. See film schedule for more information: http://laapff.festpro.com/schedule/ -- Daniel C. Tsang
on:

Youth advocate Lam Duong as he appeared on the only videotaped interview before he was slain
A bold new documentary dares to address something only whispered about in the Vietnamese diasporic communities in North America -- the existence, especially in the 1980s, of a violent group of thugs -- masquerading as "freedom fighters".
Enforcing the Silence director Tony Nguyen, himself having been a youth advocate in Washington D.C. and San Francisco, in resurrecting the shortened life of Vietnamese immigrant activist and journalist/editor Lam Trong Duong [in Vietnamese: Dương Trọng Lâm], pays tribute to those in the Vietnamese diasporic communities that were anti-war and progressive. Lam Doung founded the first Vietnamese youth center in America (Vietnamese Youth Development Center), and published a progressive Vietnamese-language newspaper, Cai Dinh Lang, that reprinted stories from Hanoi. That he supported Ho Chi Minh -- he was an early immigrant in 1971, prior to the fall of Saigon, and he attended Oberlin High on an American Field Service exchange and later stayed to attend Oberlin College -- may have led to his murder in 1981 at the young age of 27.

A youthful Lam Duong
I say "may" because that's what the director says, given that the murder case remains unsolved, much like the half-dozen or so other cases of Vietnamese journalists and activists who were murdered. (The director does mention the 1987 Orange County case of Garden Grove-based Vietnamese magazine publisher Tap Van Pham, but leaves out another OC murder, in 1984, of CSUF Physics Prof. Edward L. Cooperman, whose activism in scientific exchange with post-war Vietnam is believed to have caused his murder by a Vietnamese student he mentored). Two locals are interviewed: Former OC Register Little Saigon reporter Jeff Brody (he's now teaching journalism at CSUF) and OC Weekly investigative reporter Nick Schou.
The film focuses on interviews with activists (including Lam Duong's colleagues at the youth center), and law enforcement (SFPD and FBI), and raises the possibility that a key Reagan and later Bush administration figure may have been the link with National United Front for the Liberation of Vietnam founder Hoang Hoang Co Minh, now deceased.
This powerful hour-long film is testimony to the best in documentary work, uncovering a hidden subject. That it did not get a screening at the just-concluded VIFF (Vietnamese International Film Festival) is a sad commentary on the fear that still pervades the Vietnamese diasporic communities. It is a fear that continues to intimidate some artists and film folks as well as some in the community at large. In rejecting the film, VIFF missed an opportunity to take a stand in support of artistic freedom while simultaneously continuing to enforce the very silence Tony Nguyen's film addresses.
In feedback on the Diacritics site after USC Prof. Viet Thanh Nguyen suggested interviews with anti-communist leaders might have "humanized" them, the director Tony Nguyen says he was not able to contact any Front officials. (Although the director passed through Southern California in making the film, he didn't manage to interview then-Front spokesman Do Diem, who once incidentally even sat on the advisory board of the Southeast Asian Archive at UC Irvine. -- See my piece in the OC Weekly on a Front spinoff. ADDED: See also my profile in OC Weekly of Do Diem: Guerrilla in the Midst)
Director Tony Nguyen has an appeal online to raise funds for distributing the film.
I talk with director Tony Nguyen about his courageous new documentary and how he will distribute it. UNFORTUNATELY THE SUBVERSITY SHOW TODAY IS PRE-EMPTED BY JAZZ so I'll post the interview online asap.
The film screens Saturday 30 April 2011 (5 p.m.) at the Los Angeles Asian Pacific Film Festival at Laemmle's Sunset 5, 8000 Sunset Blvd (at Crescent Heights) West Hollywood, CA 90046. PARKING: Free for 3 hours with validation. See film schedule for more information: http://laapff.festpro.com/schedule/ -- Daniel C. Tsang
Singapore Woman Director Mun Chee Yong's Take on Surviving in Los Angeles
To listen to the podcast of this program, which is an Internet-only edition for the first part of the April 25, 2011 show because of a jazz program pre-empting the live show -- click
on:
.
UPDATED 6 May 2011: Where the Road Meets the Sun has won two festival special jury awards: Gavin Kelly has won the festival's Special Jury Award, Narrative: Outstanding Cinematography. And the actors Eric Mabius, Fernando Noriega, Will Yun Lee and Luke Brandon Field have won the festival's Special Jury Award, Narrative: Best Ensemble Acting.

If ever there is a list of the top films that address the underside of Los Angeles, Mun Chee Yong's Where the Road Meets the Sun will surely be on that chart. A multicultural cast interact in various languages (mainly English) as they seek to survive on the rough streets of urbanized Los Angeles.
Not a documentary by any means, Mun Chee Yong's script casts four men whose lives intersect at a decrepit hotel as they live from day to day, job to job, interspersed with Guy's hetero liaisons mostly with sex workers.
Takashi, whose memory loss from a car accident enables him to experience a rebirth away from his gangster life back in Japan, is played by the dashingly convincing, Korean American actor Will Yun Lee who sometimes lapses into Japanese. He develops a friendship with Blake (Eric Mabius) the hotel manager. At the same hotel, Julio (Fernando Noriega), a Spanish-speaking undocumented worker from Mexico who works at an Indian restaurant, befriends fellow kitchen Brit packpacker/fellow worker Guy (Luke Brandon Field), who sports an authentic British accent. Blake struggles to make ends meet when both are unceremoniously fired from the restaurant (without collecting their pay)while Blake manages to hit his dad in England up for more dough.
It's a (male) buddy film with some of the hetero and tough guy jinks -- and one gets to see scenes of Silver Lake and other Los Angeles locales.
A Singapore/Indonesia/US co-production, the 93-minute film has just been released this year. The director is a LSE (London School of Economics) graduate in monetary economics, with an MFA degree in Film Production from USC.
UNFORTUNATELY THE SHOW IS PRE-EMPTED BY JAZZ so I'll post the interview online asap.
On KUCI Subversity program this evening, we talk in the first half-hour withdirector Mun Chee Yong about his latest film. A podcast will be posted later.
The film screens at Saturday night (10 p.m.) at the Los Angeles Asian Pacific Film Festival at Laemmle's Sunset 5, 8000 Sunset Blvd (at Crescent Heights) West Hollywood, CA 90046. PARKING: Free for 3 hours with validation. See film schedule for more information: http://laapff.festpro.com/schedule/
on:
UPDATED 6 May 2011: Where the Road Meets the Sun has won two festival special jury awards: Gavin Kelly has won the festival's Special Jury Award, Narrative: Outstanding Cinematography. And the actors Eric Mabius, Fernando Noriega, Will Yun Lee and Luke Brandon Field have won the festival's Special Jury Award, Narrative: Best Ensemble Acting.

Takashi (Will Yun Lee) reflects on his memory loss in Where the Road Meets the Sun.
If ever there is a list of the top films that address the underside of Los Angeles, Mun Chee Yong's Where the Road Meets the Sun will surely be on that chart. A multicultural cast interact in various languages (mainly English) as they seek to survive on the rough streets of urbanized Los Angeles.
Not a documentary by any means, Mun Chee Yong's script casts four men whose lives intersect at a decrepit hotel as they live from day to day, job to job, interspersed with Guy's hetero liaisons mostly with sex workers.
Takashi, whose memory loss from a car accident enables him to experience a rebirth away from his gangster life back in Japan, is played by the dashingly convincing, Korean American actor Will Yun Lee who sometimes lapses into Japanese. He develops a friendship with Blake (Eric Mabius) the hotel manager. At the same hotel, Julio (Fernando Noriega), a Spanish-speaking undocumented worker from Mexico who works at an Indian restaurant, befriends fellow kitchen Brit packpacker/fellow worker Guy (Luke Brandon Field), who sports an authentic British accent. Blake struggles to make ends meet when both are unceremoniously fired from the restaurant (without collecting their pay)while Blake manages to hit his dad in England up for more dough.
It's a (male) buddy film with some of the hetero and tough guy jinks -- and one gets to see scenes of Silver Lake and other Los Angeles locales.
A Singapore/Indonesia/US co-production, the 93-minute film has just been released this year. The director is a LSE (London School of Economics) graduate in monetary economics, with an MFA degree in Film Production from USC.
UNFORTUNATELY THE SHOW IS PRE-EMPTED BY JAZZ so I'll post the interview online asap.
On KUCI Subversity program this evening, we talk in the first half-hour withdirector Mun Chee Yong about his latest film. A podcast will be posted later.
The film screens at Saturday night (10 p.m.) at the Los Angeles Asian Pacific Film Festival at Laemmle's Sunset 5, 8000 Sunset Blvd (at Crescent Heights) West Hollywood, CA 90046. PARKING: Free for 3 hours with validation. See film schedule for more information: http://laapff.festpro.com/schedule/
Monday, April 18, 2011
VIFF Filmmakers' Panel Discussion: Expanding the Audience Base
To listen to the podcast of this program, click
on:

The 2011 Vietnamese International Film Festival ended its exciting two week run last night with a daring, sexually explicit film, "Bi, Don't Be Afraid" directed by Phan Dang Di. The film, set in a hot and steamy Hanoi summer won the festival's Grand Jury prize for Best Film. Viewers in the audience saw a version that was more sexually explicit than that released in Vietnam, with masturbation (female and male), frontal urination (by a male student) and various scenes of heterosexual intercourse.
For this evening's edition of Subversity, we can't bring you that film, but will instead offer audio of the 10 April 2011 Filmmakers' Panel Discussion on "Expanding the Audience Base" that took place at UC Irvine.
Panelists were: Anderson Le, director of programming at the Hawaii International Film Festival; Ann Le, with international division of Universal Pictures; Charlie Nguyen, director of The Rebel; Fool for Love; James Nguyen, director/writer, Birdemic: Shock and Terror; Jenni Trang Le, Assistant Director, Bi, Don't Be Afraid, and of Clash; Khoa Do, Director/Writer, Footy Legends, Mother Fish; Le Thanh Son, director/writer, Clash, and Nguyen Nu Nhu Khue, producer with HK Films in Vietnam.
The program airs this evening from 5-6 p.m. on KUCI, 88.9 FM in Orange County, Calif., and is simulcast via http://kuci.org. Podcast to be posted later.
on:

The 2011 Vietnamese International Film Festival ended its exciting two week run last night with a daring, sexually explicit film, "Bi, Don't Be Afraid" directed by Phan Dang Di. The film, set in a hot and steamy Hanoi summer won the festival's Grand Jury prize for Best Film. Viewers in the audience saw a version that was more sexually explicit than that released in Vietnam, with masturbation (female and male), frontal urination (by a male student) and various scenes of heterosexual intercourse.
For this evening's edition of Subversity, we can't bring you that film, but will instead offer audio of the 10 April 2011 Filmmakers' Panel Discussion on "Expanding the Audience Base" that took place at UC Irvine.
Panelists were: Anderson Le, director of programming at the Hawaii International Film Festival; Ann Le, with international division of Universal Pictures; Charlie Nguyen, director of The Rebel; Fool for Love; James Nguyen, director/writer, Birdemic: Shock and Terror; Jenni Trang Le, Assistant Director, Bi, Don't Be Afraid, and of Clash; Khoa Do, Director/Writer, Footy Legends, Mother Fish; Le Thanh Son, director/writer, Clash, and Nguyen Nu Nhu Khue, producer with HK Films in Vietnam.
The program airs this evening from 5-6 p.m. on KUCI, 88.9 FM in Orange County, Calif., and is simulcast via http://kuci.org. Podcast to be posted later.
Monday, April 11, 2011
Filmmaker with Conscience Khoa Do; Hazards of Nail Salons
To listen to the podcast of this program, click
on:
He's a Viet Kieu filmmaker with conscience. Hailing from Australia, and emerging as one of the most exciting new filmmakers from the Vietnamese diaspora, Khoa Do presented "Mother Fish," his dramatic and creative take on the boat people's exodus to the West at the 5th Vietnamese International Film Festival ongoing at various venues in Southern California, including UC Irvine. As he discusses in the interview, he made this film to counter anti-refugee prejudice in Australia against a current wave of boat people from more current wars.
We talk with this award-winning director who charmed audiences at the last VIFF with his Footy Legends, about a multi-ethnic sports team, with a strong background in community service as a volunteer in a community-based organization in Sydney, where he made an earlier documentary, Finished People, about homeless people on the streets.
Khoa was named the 2011 VIFF Spotlight Award winner Saturday at a special event co-sponsored by Vietnamese American Community Ambassadors and the UCI Libraries Southeast Asian Archive prior to that evening's showing of Mother Fish.
The festival continues at UCLA, Bowers Museum (free to high school students) and UC Irvine. Among the films is "Touch," directed by Minh Duc Nguyen, a feature film about romantic liaisons among Vietnamese nail salon workers and their clients. It screens Saturday, 16 April 2011 at 7:30 p.m. HIB (Humanities Instructional Building) 100 on the UCI Campus.
For the second half of Subversity, we air Making Contact's report on the Toxic Truth about Nail Salons. It focuses on the health effects of prolonged chemical exposure on the salon workers and the move toward "greener" salons.
Also showing at VIFF is director Nguyen-Vo Nhiem Minh's second Vietnam production, Don't Look Back, a ghost story that is a takeoff on the Orpheus myth. Nguyen-Vo, who was last on Subversity discussing his "Buffalo Boy", is a scientist turned Vietnam filmmaker. Don't Look Back screens the same day, Saturday 16 April 2011 at 4 pm at HG (Humanities Gateway) 1070 on the UCI campus.
Subversity airs this evening from 5-6 p.m. on KUCI, 88.9 FM in Orange County, and is simulcast via kuci.org.
on:

Director Khoa Do embraced by a fan after his film screened at VIFF 2011. Photography &c Daniel C. Tsang 2011
He's a Viet Kieu filmmaker with conscience. Hailing from Australia, and emerging as one of the most exciting new filmmakers from the Vietnamese diaspora, Khoa Do presented "Mother Fish," his dramatic and creative take on the boat people's exodus to the West at the 5th Vietnamese International Film Festival ongoing at various venues in Southern California, including UC Irvine. As he discusses in the interview, he made this film to counter anti-refugee prejudice in Australia against a current wave of boat people from more current wars.
We talk with this award-winning director who charmed audiences at the last VIFF with his Footy Legends, about a multi-ethnic sports team, with a strong background in community service as a volunteer in a community-based organization in Sydney, where he made an earlier documentary, Finished People, about homeless people on the streets.
Khoa was named the 2011 VIFF Spotlight Award winner Saturday at a special event co-sponsored by Vietnamese American Community Ambassadors and the UCI Libraries Southeast Asian Archive prior to that evening's showing of Mother Fish.
The festival continues at UCLA, Bowers Museum (free to high school students) and UC Irvine. Among the films is "Touch," directed by Minh Duc Nguyen, a feature film about romantic liaisons among Vietnamese nail salon workers and their clients. It screens Saturday, 16 April 2011 at 7:30 p.m. HIB (Humanities Instructional Building) 100 on the UCI Campus.
For the second half of Subversity, we air Making Contact's report on the Toxic Truth about Nail Salons. It focuses on the health effects of prolonged chemical exposure on the salon workers and the move toward "greener" salons.
Also showing at VIFF is director Nguyen-Vo Nhiem Minh's second Vietnam production, Don't Look Back, a ghost story that is a takeoff on the Orpheus myth. Nguyen-Vo, who was last on Subversity discussing his "Buffalo Boy", is a scientist turned Vietnam filmmaker. Don't Look Back screens the same day, Saturday 16 April 2011 at 4 pm at HG (Humanities Gateway) 1070 on the UCI campus.
Subversity airs this evening from 5-6 p.m. on KUCI, 88.9 FM in Orange County, and is simulcast via kuci.org.
Monday, March 28, 2011
Yemeni Regime Collapsing? Who are the Protesters? And What Comes After?
To listen to the podcast of this program, click
on:

With more countries in the Middle East erupting in protest, we return again to a focus on one of those, Yemen, whose president seems tottering on the verge of quitting. Who are the protesters? And were the pro-U.S. regime to fall, what comes after?
On this evening's edition of Subversity, a KUCI public affairs program, we talk with William Picard of the Yemen Peace Project again about those questions and analyze recent developments, some horrific, some encouraging.
For your information, the Yemen Peace Project has posted a link to donations on its web site, with a plug to: "Support Yemen’s Peaceful Protesters:
Hundreds of thousands of brave Yemeni citizens are risking their lives and livelihoods to make their country a better place. Help them by supporting those that provide urgent medical care to protesters injured by state security forces."
William Picard is a political and historical researcher and analyst based here in Orange County. He has spent a decade studying Southwest Asia, with a particular focus on the modern history and current affairs of Yemen. He is a graduate of the University of Pennsylvania, where he studied Arabic, Persian, and Pashto, and completed a double major in Modern Middle East Studies and Southwest Asian Conflict Studies. In late 2009 he helped found the Yemen Peace Project (YPP) with Dana, a peace advocacy organization that seeks to educate the American public about Yemen, advocate for peaceful and constructive foreign policy, and facilitate communication between Yemenis and Americans. He directs the YPP’s research and public education efforts, manages the organization’s Twitter activity, and writes frequently for the Directors’ Blog.
Picard was previously on Subversity February 7, 2011 with UCI graduate student Dana Moss, also of Yemen Peace Project. Moss also appeared subsequently a week later on Subversity.
Picard is interviewed by Subversity Show host Daniel C. Tsang. The show airs from 5-6 p.m. today on March 28, 2011 on KUCI, 88.9 FM in Orange County, California, and is simulcast via kuci.org. Podcasts will be posted here shortly.
on:

February 3, 2011 protest poster.
With more countries in the Middle East erupting in protest, we return again to a focus on one of those, Yemen, whose president seems tottering on the verge of quitting. Who are the protesters? And were the pro-U.S. regime to fall, what comes after?
On this evening's edition of Subversity, a KUCI public affairs program, we talk with William Picard of the Yemen Peace Project again about those questions and analyze recent developments, some horrific, some encouraging.
For your information, the Yemen Peace Project has posted a link to donations on its web site, with a plug to: "Support Yemen’s Peaceful Protesters:
Hundreds of thousands of brave Yemeni citizens are risking their lives and livelihoods to make their country a better place. Help them by supporting those that provide urgent medical care to protesters injured by state security forces."
William Picard is a political and historical researcher and analyst based here in Orange County. He has spent a decade studying Southwest Asia, with a particular focus on the modern history and current affairs of Yemen. He is a graduate of the University of Pennsylvania, where he studied Arabic, Persian, and Pashto, and completed a double major in Modern Middle East Studies and Southwest Asian Conflict Studies. In late 2009 he helped found the Yemen Peace Project (YPP) with Dana, a peace advocacy organization that seeks to educate the American public about Yemen, advocate for peaceful and constructive foreign policy, and facilitate communication between Yemenis and Americans. He directs the YPP’s research and public education efforts, manages the organization’s Twitter activity, and writes frequently for the Directors’ Blog.
Picard was previously on Subversity February 7, 2011 with UCI graduate student Dana Moss, also of Yemen Peace Project. Moss also appeared subsequently a week later on Subversity.
Picard is interviewed by Subversity Show host Daniel C. Tsang. The show airs from 5-6 p.m. today on March 28, 2011 on KUCI, 88.9 FM in Orange County, California, and is simulcast via kuci.org. Podcasts will be posted here shortly.
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